Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Monday, 8 December 2014

A lovely day

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The Greyhound Inn

This last Saturday was my dad's birthday and one of those crisp, cold, bright, sunny days that make winter so much more bearable.  We went to Carshalton, a former village, now swallowed up into south London, for lunch at the pub in the picture above and a walk.  It was busy with a frost fair going on but the crowds were relaxed and there was a good atmosphere.  I am still very tired from it but all in all it was a lovely day.

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Tufted duck

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The other event of the weekend was reviving my Locke St Cardigan, which had been languishing for some weeks with only the left front left to complete.  Hoping to finish it before Christmas, certainly it is the weather for it at present!

Saturday, 30 November 2013

Eggless Christmas Cake

A couple of weeks ago my dad and I had great fun making our own Christmas cake, which due to an intolerance to eggs running in the family, we have made egg-free.  We used a recipe from the 1947 Aunt Daisy's New Cookery No.6, a cookbook that had belonged to my maternal grandmother, who was a friend of "Aunt Daisy", otherwise known as Maud Basham.  "Aunt Daisy" was a regular on the radio in New Zealand between the 1920s and 1960s and apparently would rattle out recipes at a tremendous rate.  It was lovely to make a cake with so many family associations and if the taste of the batter was anything to go by it should be delicious.

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We made various changes to the recipe, including halving the quantities, since we have no real need of a vast Christmas cake and I thought I would share what we did in case it could help anyone else who cannot eat eggs.  Older cookbooks, especially those published around the war, can be a very good source of egg free cake recipes, since eggs were sometimes hard to come by.  Anyhow, here goes:

Eggless fruit cake, adapted from Aunt Daisy

Figures in parentheses refer to smaller size of cake

(10oz) 1 ¼ lb plain flour
(6oz) ¾ lb brown sugar
(2oz) ¼ lb peel if liked
(½ tsp) 1 tsp bicarbonate of soda
(just over ½) about 1 ¼ cups milk
(4oz) ½ lb butter
(12oz) 1 ½ lb mixed fruit
(2oz) ¼ preserved ginger
(circa 8) circa 16 glacé cherries
(1Tbsp) 2 Tbsp treacle
(½ tsp) 1 tsp each vanilla and almond essence
(2 Tbsp) 4 Tbsp brandy
zest of (½) 1 lemon
(½-1 tsp) 1-½ each ground cinnamon, cloves, nutmeg

Put oven onto heat to 150C (Gas Mark 2)Cream butter and sugar. Add treacle and mix in, followed by around half the milk, and the essences. Begin mixing in flour and fruit alternately a spoonful or so at a time. Add lemon zest, brandy and spices and stir in. Finally mix the remaining milk with the bicarbonate of soda and stir in. Put in a prepared cake tin, using the smaller quantity we made a cake that came about 2/3rds of the way up a 22cm round tin. Place a circle of greaseproof paper, with a hole in the middle, on top of the cake to prevent it from browning too fast on top. Cook on the lowest shelf of the oven at around 150C (Gas Mark 2) for just under two hours for the smaller cake, I would imagine closer to 3 hours for the larger cake (sorry I cannot be more exact, but 1940s cook books can be a little sparse on detail).
Once the cake is cooked take it out of the oven, place in its tin on a wire rack, remove the greaseproof paper from the top and “baste” with a couple of tablespoons of brandy before covering the entire tin closely in tin foil and leaving until completely cool. I got this tip from Nigella Lawson's How to Be a Domestic Goddess and it helps to keep the top of the cake from getting dry and hard.

Christmas cake

I found this page of conversions from the BBC Good Food website helpful, especially if you wished to make a square instead of round cake.

Ours is now wrapped up safely and in a tin awaiting Christmas, although we have not yet decided how to decorate it.  I hope you find this recipe helpful and enjoy it.

Sunday, 10 November 2013

Remembrance

Today is Remembrance Sunday, a day I approach with mixed feelings, as I had more ancestors in the German and Austrian armies than the British in the first world war, my maternal grandparents being of German, Austrian and Czech extraction.  My paternal grandfather's brother fought in and survived the first war and his sisters nursed, but it is still a day that makes me feel my mixed heritage more keenly than normal.  Although it is a day to remember the dead of all nations and of all wars, the first and second world wars do tend to dominate in this country, partly, the cynical historian in me thinks, because we won both wars, but also because Remembrance Sunday was founded in response to the widespread grief following the first war.

However, my ambivalent feelings are increased because Remembrance Sunday seems to be focussed on the soldiers who fell in the wars and of course should be remembered and mourned. But meanwhile the civilians, who also died in great numbers, seem forgotten.  I feel this personally as somewhere in the region of three-quarters of my paternal grandfather's family died or disappeared as civilians, whole families vanishing in their entirety, in the Holocaust during the second world war.

Interior view of the destroyed Fasanenstrasse Synagogue, Berlin, burned during the November Pogroms
From a synagogue destroyed in Berlin on Kristallnacht Flickr Commons

This year Remembrance Day falls on the 75th anniversary of Kristallnacht when the Nazis attacked Jewish people, homes, businesses and synagogues in Germany and Austria in reprisal for the killing of a German diplomat in Paris by a Jewish youth.  Ninety one people died and 30,000 were sent to concentration camps, but it marked the beginning of the Nazi "final solution".  My grandfather and his mother were lucky, they got out, my grandfather on the last train he could legally have got; his father and most of the rest of his family were less lucky.

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My grandfather in his 1935 Czech passport

These events and the sense of loss they created have cast a long shadow across my family.  We need to remember all who have died or suffered loss on all sides, and never to allow remembrance to become glorification of war.  Although on the last point I think this ex-serviceman, writing in the Guardian puts things better than I can.  When I hear the jingoistic writing from the beginning of the first war repeated again and again by politicians, the media, social media, as part of remembrance day I shudder inwardly.  One might as well repeat the last line of Wilfred Owen's Dulce et decorum est and omit the all important context, of "the old lie".

And for the future?  We need to keep talking, keep telling the stories, try to stop ourselves repeating the same mistakes again and again.  We need to make sure our remembrance does not become justification for current or future war and work and pray for peace and reconciliation and healing.

Father forgive us our follies, grant us peace, comfort those who mourn, help us to love mercy and seek justice and walk humbly before you.

I leave you with Michael Tippett's Oratorio A Child of Our Time, which was written in 1939 in response to Kristallnacht.

Tuesday, 8 October 2013

The Right Time To Begin

You may, or may not, have noticed that this week is Shetland Wool Week, which is being marked in Shetland by a variety of events.  Entirely co-incidentally this is also the week that I have made a start on the Fair Isle sweater my dad has wanted for ages.  He is one of the most knit-worthy people I know, not only wearing the things I make him but also showing them off to all and sundry and taking care of them.  His love of being knitted for is life-long and he has not quite got over his mother switching from knitting for him to knitting for his nieces and nephew when he was in his late teens.  Although he later made up for this by getting his grandmother-in-law to knit for him, a mutually beneficial relationship as she loved having someone to knit for.

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After a day spent studying the Jamieson's of Shetland spindrift colourcard, a thing of beauty in itself, until I was in a whirl of colour, I eventually picked out my colours, with some trepidation in case they did not work out.  Mercifully they do seem to work, bright and colourful without being too "in your face" or garish.  I wanted colours that had some tradition behind them, but that avoided the beige background of many Fair Isle sweaters.

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Swatch

I have put together motifs from an old picture featured in Michael Pearson's book Traditional Knitting, which he had helpfully charted, together with a variety of peeries, some from the original sweater, some from Alice Starmore's invaluable Fair Isle Knitting.  Michael Pearson's Traditional Knitting was a library find and the book that first got me interested in the knitting of the past.  For the charts themselves, rather than spending hours hunched over graph paper, I found some excellent software online called KnitBird, which is charting software for both colour work and textured or lace knitting and allows you to flip and repeat motifs among other handy features.  The finished charts look professional and polished too; I'm pleased with it, well worth the money.

So now all I have to do is knit it.  I began yesterday and am something just over an inch through the ribbing.  Here goes... I may be some time.

The Ravelry project page is here and has details of which colours I am using.

Friday, 18 January 2013

52 Weeks of Happy - week 3

This has been a slightly strange week, during which the admonition to "Rejoice with those who rejoice and mourn with those who mourn" (Romans 12.15) has never seemed more apt.  For my friends there has been great sorrow and also some joys and I have had the joy of my birthday, it has been quite emotional at times.

Nonetheless there have been joys this week, life at its essence is a sharp mixture of joy and sadness.  The biggest joy has been my birthday so we shall make that number one.

1. My birthday, which I managed to approach with the minimum of trepidation and soul searching about "achievements" and which my family and friends combined to make special.  I had a great many cards and generous presents and messages and feel thoroughly spoiled and humbled that so many people value me.

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Birthday banana cake

2. Wonderful new yarn that my sister gave me for my birthday, hand-dyed in stripes, in the colours of the London underground lines, from Trailing Clouds.  I am most excited about knitting this, I still find self-striping yarns exciting, knitting away, wondering which colour will come next and when.  Additionally I am in awe at the hard work that has gone into dyeing this yarn to create approximately six round stripes in so many colours, by hand.

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3. Coffee with a new friend and her little boy who is about a year and a half.  A delightful and refreshing combination of a good chat and some play with her little boy, who is very sweet and well behaved.  To be repeated soon I hope.

4. Beautiful snow, which has been falling steadily for most of the day, giving us more light than we have had for a while and muffling noise, creating a quiet, bright, cold world, although I feel terribly sorry for the birds.

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A goldfinch on its way to the bird feeders

And so on we go through the year, hopefully I will be able to shake off the threatened depression and accompanying lethargy and "what's the point" feeling more this week.  I think the weekly discipline of looking at the good things that have happened is helping though.

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A cyclamen flowers on

Tuesday, 13 December 2011

Sing Muse...

... of the frustration of the knitter, who having embarked merrily upon a project involving a great deal of duplicate stitch, did find that this duplicate stitch did tax her heavily, until it felt like a saga to rival anything by Virgil or Homer.

I, gentle reader, am that knitter. With insufficient forethought I embarked upon Argyle Socks by Veronik Avery; partly because my father had admired them in the past when looking through her beautiful book Knitting Classic Style and partly because they looked easier than knitting "proper" argyle socks, with all their attendant hassle of intarsia, knitting flat and bobbins caught in a merry tangle.
However, I had reckoned without duplicate stitch. The socks themselves I knit up with comparatively few mistakes and thoroughly enjoyed myself, the second sock in particular went very fast. Then came the adornment. Duplicate stitch is essentially sewing, an art with which, even in the enlarged surroundings of yarn and tapestry needle, I am not entirely comfortable. Thus this duplicate stitch has become a true saga, after two weeks' I am almost finished but it feels like it has been far, far longer. I could have adorned a third sock with all the stitches I have had to take out and do again. Nonetheless this project will have left me fully conversant with duplicate stitch, faster and neater in my work, though my socks will not bear close scrutiny!
So on the saga continues, one weary stitch at a time, while my knitting needles sing their siren call reminding me how I miss their company. At least I have hopes of finishing in time for Christmas on current progress and I should avoid a 3am on Christmas morning finish. Dad will have more of the socks he loves, because he is worth it and I have gained fresh understanding of the phrase "a labour of love". And we shall all live happily ever after, or something like that.

Wednesday, 20 May 2009

A long day

Today has felt like a long day, partly because it has contained a lot of emotions, some of them almost uncontrollably strong ones. I woke feeling fairly cheery and not too bad, but unfortunately my mother hadn't. She has been in a bizarre, touchy mood all day and I have found this incredibly hard to deal with. You try to help and she bites your head off or lectures you. I've several times retreated to my room, with the door closed and the music on loud, bunkering down. Before I go on, let's get this clear, I do love my mother, I really do, deeply, I hate it when I see her hurting. I hate it even more when I see her hurting and not taking steps that could make a huge difference to this, like dealing with any mental health issues.

I wish she could understand that mental health isn't a taboo, or shouldn't be, that it isn't a sign of weakness, that it is often normal after trauma to the brain (she had a brain tumour ten years ago), that she doesn't have to hurt like she does, that it can get better. Even hurts from years and years ago, from her father, from her mother's death, can be dealt with, can be healed, can be acknowledged. Acknowledgement of problems is a huge issue in this house; she will not acknowledge the impact her illness had on her and on the rest of us, in the immediate family, the four of us, individually and as a unit. It's not her fault. I don't blame her for getting ill, none of us do, it happens, she didn't choose it. But I do feel angry that she's never allowed it to be voiced, that it was a difficult time for us all, that it has had difficult repercussions, made more difficult by their silence. I can understand not wanting to worry your children, especially when they are small, but I was part-adult - helping care for her - and treated as child - never told anything. But not being told is far more terrifying and uncertain.

Partly perhaps she doesn't want to admit her own weakness, that she, who is so proud of self-sufficiency, wasn't able to be, and isn't as able to be as she once was. No one is entirely comfortable facing their own mortality, especially when it becomes real for the first time. The echoes of her mother's illness and death must have been huge, terrifying, breaking like waves across her conciousness - she died aged 54 of a brain tumour that was discovered very suddenly. I have been aware for many years of the devastation her mother's death wrought on my mother and of how our relationship has never quite managed to recapture the closeness she enjoyed with her mother.

The word 'repression' is one you would associate the nineteenth century and with early twentieth century psychiatry, but it has resurfaced here. Nothing is acknowledged, nothing talked of openly, only ever in occasional snatched whispers, if at all. My mother's behaviour is at times erratic, she will begin things then forget them, move something then forget where she has put it, she shows signs of intense frustration with her physical limitations. It is something I understand deeply, but she never allows me to empathise. Instead any discussion of health becomes a competition - you have a doctor's appointment, she has those, lots; you ache, she aches more and more thoroughly. So I keep quiet. I say nothing. I pretend to be ok. The end result is that I find it incredibly hard to talk about how I am feeling, physically, emotionally, mentally. It is far easier with a blank page than a person, with doctors it is near impossible.

Another thing that frustrates me about her, because I love her, is the way that she rarely does anything to minimise her own suffering, it is almost as though she prefers to wallow in the feeling awful or the problem than to deal with it or face it. Often it takes very little - an ibuprofen - to help. There is an element of hopelessness in her sometimes, that there is no point taking an ibuprofen because it probably wouldn't help anyway.

There is a less pleasant side to all this, she is a master of the "poor mes", the sulk, the audible sigh, the posture, the flounce, even hysteria and tears. I have never known anyone sulk as she does, even thwarted toddlers in shopping centres could learn from her. She shares that same need to control, to dominate, to be in charge of every situation. There were seeds of this behaviour in her before she was ill - I remember particularly around map reading on holiday - but it has become far worse since. Personally I believe that some of this underlies her inability to get on with her own father, they were just too similar and vying for control. But her behaviour has deteriorated. The last counsellor I had could not see why we didn't just stand up to her, but this would be disastrous, it would push her further away, into the land where she believes that no one understands her or loves her, she would simply see it as a personal attack, no matter how tactfully or lovingly phrased. In fact I don't know what the answer is.

From all this you might be gathering that my mother is generally not a terribly pleasant person - she is, or can be, lively, with a real zest for life. She has many friends and when other people are around is a totally different person. And as I've said earlier, I do love her, very very much and I want her to be better and to be happier. She is a person who is hurting. I want my dad to have an easier time of it too, to be able to have his own opinions, his own life, his own interests. I want my sister to be less stressed by being at home, to be able to have a relationship with our parents again. I want to be less monumentally stressed by everyday living, or surviving. I want simple things like cooking a meal to stop being a huge emotional battle. But I don't know how.

Part of me thinks that I can't change my mother, or my family, all I can do is learn to live with them and control my reactions to them. But then on days like today when I've ended up in tears and exhausted by the violence of my emotions (and I do find the violence in how I feel scary at times) I feel like that can never be the answer or even a useful way of surviving. Anyhow, surely life is about more than that?

Answers on a postcard.

Monday, 11 May 2009

Butterflies

Anyone who knows me well will know that I have quite a thing about butterflies, they fascinate me, they're so fragile, so beautiful, so gentle and trusting.

Therefore when I saw a post about this project on ravelry I had to share it here and urge everyone to join in - I'm going to try to be organised enough to. In short, the idea is to create a small butterfly to represent each of the 1.5m children who died in the Holocaust, they can be made of paper, string, paint, crocheted, sewn, knitted. The website linked to above has more details.

However, this project isn't just near to my heart because of being about butterflies, my grandfather and his family were Jewish and although he and his mother escaped the rest of his family died or disappeared, with the exception of a handful of cousins. This strikes me as such a lovely way to remember them, to remember the sorrows of the past in a way that also contains some hope for the future.

Anyone can make things, really, give it a try.